Liridona Osmanaj
Blog 6
The civil rights movement, specifically the African-American civil rights movement was a movement, a struggle for equality before the law, which occurred approximately around 1950-1968. In fact, this movement was about far more than just civil rights under law; it was also about fundamental issues of freedom, respect, dignity, and economic and social equality. Even though the government was saying that the white and black Americans were “separate but equal”, everyone knew and saw that it was not true. When I first started studying American history, I saw pictures of the water fountains, and public restrooms, etc., for the black and white people in the U.S; and even though what was available for the whites people, was available for the black people, too; those public services were very different. I mean the ones for white Americans were so clean, and luxurious, and those of black people were old, and dirty- even animals have better conditions. I do not know how people could call that equality. I wonder what their definition of equality was. There were also other factors as the churches, colleges and the NAACP which played a role in the movement, but no cultural force played a greater role at all levels of struggle more than the freedom songs. Music was the key force in shaping, spreading and sustaining the movement’s culture and through culture its politics. The role that music played in the direction that the civil rights movement took in the 1950s and 1960s can never be overstated. Singing seemed to have a wide appeal across class, regional, generational, gender, and other elements of difference. Singing established group and community. For instance, for the organizers the value of the freedom songs lay in their capacity to take liberation messages in the black preaching tradition and make them available to ordinary people. Freedom songs are one of the best records we have of the transformation of consciousness in the ordinary people, the masses, who took part in the movement, says Bernice Johnson. Music was used for both communication and inspiration among the black people. For example when one watches videos of those marches one is drawn to the rhythms of the music, the notion of how different those events would have been without the music. As Bernice Johnson says songs are very important in capturing the culture. “News reports covering the Movement always used the singing as a way of trying to tell the story of the power of what was going on”, she adds. So when you talk about the culture of the Movement, it is important that you draw from the rich music database. Also, one of the very first things she talks about is the suggestion that when you think about freedom songs and the Civil Rights Movement is to not actually think of freedom songs as if they were created strategically by the Movement. Just like the breath of the Movement, they were a natural outpouring, evidencing the life force of the fight for freedom. Furthermore, she says that the freedom songs and the Civil Rights Movement that birthed the songs and singing charged the national music culture. Popular music followed the concerns that were raised about justice, about getting along with each other, about challenging injustice. Black and White musicians of the day explored those issues in their music.
The songs that end up as freedom songs function in the Movement as 'congregational' songs. Congregational songs are started by a songleader -- a songleader is different from a soloist. A soloist is someone who can execute the entire song. A songleader is someone who starts the song, and if that performance is successful, it is successful not only because of the prowess of the leader but because people who are located within the sound of that voice join in to raise the song into life. The congregational singing. It is the kind of singing I grew up with in the Black church, in school, on the playground. The freedom songs that were sung the most were adapted from the repertoire that people already knew. If you went to a specific local community, you could find things out through the songs used in that community. According to Bernice Reagon, the freedom songs were battle songs. They tell us something about nonviolence in the Civil Rights Movement. When we take a look at these songs you understand that song carried people in the struggle. Those songs were sung in mass meetings, gatherings, churches, marches, etc. Those songs, the freedom songs were a kind of a warm-up thing to get people involved, to get people to relax.
The song “This little light of mine” is one of my favorite songs. Every time I sing it, I sing it with all my heart. I think its lyrics is powerful and when you get both the melody and the lyrics, it just makes you join singing. http://www.pbs.org/wgbh/amex/eyesontheprize/story/09_summer.html#music
Just the fact that even after those years that music is still famous it shows the effect it has had. I mean just looking at the audience, and several white people singing these songs prove the point. The civil rights movement was a very magnificent factor in the history of the U.S and known all over the world. And music is what helps us see what the black community went through. And by remembering those hard times those people went through; remind us to not take for granted our rights today, and also makes us conscious to not repeat those injustices again. And at the same time, while people from certain different parts of world today are struggling for rights, they could take this as a model to protest in a non-violent way.